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Fadeless Immortality
by: Laura R. Ashlee
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French art historian
and lecturer Elie Faure observed: "Whoever participates with
confidence in the adventure of men has his portion of
immortality." With the dawn of the twentieth century new
inventions like the automobile and the aeroplane allowed men
to test their courage by traveling faster and higher. The
new century also inspired women to break out of traditional
roles and invade the realm of the adventure of men as they
embarked on quests of their own. One such woman was
Michigan-born Harriet Quimby, who participated in the
adventure of early aviation. A professional journalist when
the field was still relatively closed to her sex, Harriet Quimby mastered the art of flying and achieved immortality
by becoming the nation's
first licensed aviatrix and the
first woman in the world to fly solo across the English
Channel.
Photographs and newspaper accounts document Harriet Quimby's achievements as a writer and flyer, as well as her
beauty and elegance. But aspects of America's "queen of the
sky" continue to puzzle historians. While Harriet's own
writing provides a composite image of a restless personality
possessing candor and daring, contradiction surrounds her
origins, and little is known of her personal life.
Harriet Quimby claimed she was born in California. Her
death certificate records her place of birth as California,
and her year of birth as 1885. She was, however, born in
rural Branch County, Michigan, in 1875. Her family later
moved to Manistee. Sometime after 1880 the Quimbys migrated
to California, where Harriet spent the majority of her early
life. By 1900 they were living in San Francisco.
A 1911 Overland Monthly magazine interview referred to
Harriet as "a daughter of California," implying that she was
imbued with the adventurous spirit of her home state. San
Francisco proudly claimed her as its own. According to
Overland, her popularity was reflected by the fact that her
portrait hung in the all-male Bohemian Club until the club
was destroyed in the city's 1906 earthquake.
In 1902 Harriet Quimby became a writer for the San
Francisco Dramatic Review. The following year she published
the first of 279 articles in Leslie's Weekly Illustrated, a
national magazine that offered heavily illustrated articles,
light to serious in tone. This was a career coup for
Harriet, who soon moved to New York City; in 1905 Leslie's
hired her as its drama editor.
In her early years at Leslie's, Harriet authored a
regular series entitled, "The Home and the Household," which
catered to female readers with articles like "Teaching Self-
respect to Children," "Vulgarity of Modern Wedding
Ceremonies" and "Women's Awkwardness on Street-cars." In
1906, when the feature was dropped, she took on subjects
with broader appeal, including travel. "Why American
Travelers are Criticized," "An American Girl Tells of the
Famous Fish Specialties of Marseilles" and several stories
about Egypt, Italy and the Bahamas suggest that Harriet went
abroad researching her articles.
Harriet also became a respected investigative reporter;
Will Irwin, Sunday editor of the San Francisco Chronicle,
described her as having "the keenest nose for news" he had
ever "met with in a woman." Harriet's expose on
prostitution, published in 1911 and titled "How White
Slaves are Shackled: The Astounding Disclosures of a Secret
Investigation in New York City," allegedly led to a New York
City police commissioner's downfall.
In October 1910 Harriet's life changed forever when she
attended an aviation meet at New York's Belmont Park
racetrack. In the second decade of the twentieth century the
world was fascinated with the fledgling sport of aviation.
On any given day articles appeared on the front page of The
New York Times reporting an aviation milestone, mishap or
tragedy.
The Belmont Park meet was the first international air
show held in the United States. There, Harriet saw the most
fearless flyers, including American Arch Hoxey, who flew
for Orville and Wilbur Wright and had recently set a record
by flying nonstop from Springfield, Illinois, to St. Louis,
Missouri; England's Claude Grahame-White, who had used the
avenue between the White House and the Navy, State and War
buildings as a Washington, D.C., runway; American Ralph
Johnstone, who had set a world record for altitude; and
American John Moisant, who had made the first
London-to-Paris flight. The Americans preferred Wright
biplanes, with their sets of wings above and below the
fuselage. Most of the Europeans and Moisant, however, flew
Bleriot-type monoplanes, which had a single set of wings
above the plane's skeleton. The dashing Moisant, who planned
to open a flight school at Garden City, Long Island, won
Belmont's Statue of Liberty race, beating Grahame White by
forty-three seconds. Harriet, who witnessed the airborne
theatrics, thought flying looked simple enough and asked Moisant to teach her to fly.
By year's end Hoxey, Johnstone and Moisant had all
died in plane wrecks. Undaunted, Harriet began flying
lessons at the Moisant school in May 1911. Frenchman Andre Houpert, who initially resisted the idea of women flying,
was her reluctant instructor. (He later changed his mind,
claiming that he thought aeroplanes were safest in the hands
of women.) Harriet wore a heavy veil when flying to hide her
gender. Nonetheless, The New York Times discovered and
revealed her identity in an 11 May 1911 story titled,
"Woman in Trousers Daring Aviator." When asked by a
Times reporter if she liked flying, she abruptly responded,
"Do I like flying? Well, I'm out here at 4 o'clock every
morning. That ought to be answer enough." Harriet continued,
"Motoring is all right, and I have done a lot of that, but
after seeing monoplanes in the air, I couldn't resist the
desire to try the air lanes, where there are neither speed
laws nor traffic policemen, and where one needn't go all the
way around Central Park to get across Times Square." She
also disclosed her ambition to become America's first
licensed woman aviator.
Two days later Harriet made front-page headlines in the
Times when she wrecked her plane during takeoff. She
attempted to ascend while her monoplane was at full-speed.
When she turned, the plane's running gear and one of the
wings broke, and the machine crumpled.
For the next three months Harriet continued her
lessons. On 28 June 1911 her exploits again reached the
front page of the Times when she was hailed as the first
woman to fly a monoplane.
On the evening of July 31 Harriet amazed Aero Club of America
members by successfully performing all the required
maneuvers for a license--except the landing. Club provisos
stipulated that she land within 160 feet of a given mark.
She missed the spot by 40 feet, but her overall performance
impressed Aero Club members who believed that women were
unfit for flying.
Fog and foul weather consistently plagued Harriet Quimby. Before 5:00 A.M. on I August 1911 the anxious
student awoke to a telephone call from Houpert who informed
her that the fog was "thick enough to cut with a knife."
Nevertheless, Harriet, Houpert and two representatives from
the Aero Club proceeded to the air field. By 6:30 the sun
had burned away the mist and the field was clear.
Harriet took off and completed the required five figure
eights flawlessly. She landed less than eight feet from the
mark, setting a record for monoplane landings. She ascended
once more, performed five more figure eights, landed, let
the engine cool, then ascended again for her altitude test.
When she landed for the final time, spectators and judges
swarmed the plane offering Harriet generous praise. She
later remembered her appearance with some dismay-her face
was completely covered with castor oil spewn from the
plane's engine. After witnessing such capable flying, the
Aero Club awarded Harriet the first aviation license ever
granted to an American woman, and only the second license
presented to a woman anywhere in the world. As a licensed
flyer she was now allowed to perform in air meets.
Harriet's success brought her imminence popularity. She
continued writing for Leslie's, devoting much of her time to
articles about flying. In 1911 the newspaper featured a
two-part story entitled, "How a Woman Learns to Fly."
Addressing her flying suit, which prompted much commentary
from reporters, Harriet contended that if a woman wanted
to fly, "first of all she must. . . abandon skirts." She
recounted her own search of New York shops for an aviation
costume. Finding none she contacted Alexander M. Grean, the
president of the American Tailors Association, who designed
an ensemble that Harriet predicted would become the
prototype for women's aviation wear in America. "My suit is
made of thick wool backed satin, without lining. It is all
in one piece, including the hood. By an ingenious
combination it can be converted.
Harriet's studio portraits instantly into a
conventional-appearing walking skirt when not in use in
knickerbocker form." She warned of "flapping ends" of fabric
that might catch in the machinery.
On December 1911 Harriet flew with a Moisant exhibition
team at a Mexico City air meet, part of the festivities
surrounding Mexican President Francisco Madero's
inauguration. At 7,300 feet above sea level, several of the
Moisant aviators had trouble getting their planes to
generate power. Mathilde Moisant-John Moisant's sister (and
America's second woman pilot and Andre Houpert wrecked
their planes as did several others. Harriet also experienced
trouble. Her engine failed 150 feet above the airfield,
forcing her to make an emergency landing.
As a flyer, Harriet became a full-fledged member of the
international aviation community; through her writing she
demonstrated that she not only knew the mechanics of flying
but understood the science of aviation. It was in Mexico
that she conceived her next great ambition-to fly solo
across the English Channel!
Three years earlier, Louis Bleriot, a French monoplane
manufacturer, had made worldwide headlines when he became
the first person to fly across the Channel. On 24 July 1909 Bleriot flew from Calais, France, to Dover, England. During
the week following Bleriot's exploit, newspapers on both
sides of the Atlantic Ocean carried stories about this
historic event.
Upon returning from Mexico, Harriet began making
arrangements to go to Europe. She kept her plan secret,
fearing a European woman might steal her idea. In New York
she obtained a letter of introduction to Louis Bleriot. On 7
March 1912 she sailed for London on the liner Amerika. Once
in England she contacted the editor of the London Daily
Mirror, who offered her "a handsome inducement" if she made
the trip as the newspaper's representative.
Harriet planned to reverse the order of Bleriot's
flight, flying instead from Dover to Calais. But first she
went to Paris to meet the aviator and purchase one of his
seventy- horsepower passenger aeroplanes. She also arranged
for the loan of a fifty-horsepower monoplane similar to the
type she had flown in the United States.
Harriet proceeded to Hardelot, a resort village, where
Bleriot owned a hangar. There she hoped to test the plane
before continuing to Dover. At the inn where she stayed,
Harriet was approached by several autograph-seekers who had
heard of her intentions. It was only then that she learned
that someone in the Bleriot hangar had revealed her plans.
Later, remembering the incident, with exasperation, she
asked Leslie's readers, "Can a man keep a secret?"
Harriet planned to test the plane the next morning but
a fierce gale intervened. As the strong winds persisted for
days, she confined herself to her room, anxiously waiting
for the weather to break. Finally, with time running out,
Harriet left Hardelot to keep her appointment in Dover with
the representatives of the London Daily Mirror. The
monoplane was quietly shipped to the Dover aerodrome. Before
leaving France, Harriet visited the spot at Calais where
Bleriot departed for his historic flight and viewed the
monument marking the site.
Harriet arrived in Dover on Saturday, April 13, and
registered at a hotel as Miss Craig. The weather the
following day was perfect for flying, but Harriet refused to
fly on Sundays. English aviator Gustave Hamel, who was with
her party, took advantage of the calm and tested the plane.
Many spectators visited the field, responding to "rumors"
that a woman was planning to cross the Channel. But when
they saw Hamel, and the Gaumont Cinema Company (there to
film Harriet) focused on the Englishman, Harriet's secret
was preserved. After high winds grounded her on Monday,
Harriet spent the day at the airfield, returning to the
hotel at 7:00 P.m. "tired, unfulfilled and disgusted."
On Tuesday Harriet and her entourage arrived at the
aerodrome by 4:00 A.M. She wore her plum aviation suit, two
pairs of "silk combinations," a long woolen coat, a raincoat
and a wide sealskin stole. Hamel taught her how to use a
compass, warning her that if she drifted even a few miles
off course, she could find herself over the North Atlantic
Ocean. At the last minute, he insisted she tie a large
hot-water bottle around her waist for additional warmth.
Harriet was impatient but experienced no trepidation. She
later recalled, "For the first time I was to fly a Bleriot
rnonoplane. For the first time I was to fly by compass.
For the first time I was to make a journey across the water.
For the first time I was to fly on the other side of the
Atlantic. My anxiety was to get off quickly."
The monoplane ascended swiftly-fifteen hundred feet in
thirty seconds. She fulfilled her promise to the Mirror
photographers in a boat below by flying directly toward the
Dover castle flagstaff. After passing over the stronghold,
she was enshrouded by fog. "I could not see ahead of me at
all, nor could I see the water below," she remembered.
"There was only one thing for me to do and that was to keep
my eyes fixed on the compass."
Although exposed to the chilling mist, Harriet's
adrenalin kept her warm. Her goggles became wet, obscuring
her vision, so she pushed them up on her forehead. Since her
plane's speed was over sixty miles per hour, Harriet
anticipated the twenty-two-mile trip would take
approximately twenty minutes. As Harriet descended from two
thousand to one thousand feet the sunlight struck her face
and she saw the white, sandy shores of France. She later
wrote, "I felt happy, but I could not find Calais."
Harriet searched for a place to land but found only
farmland. Not wanting to damage a farmer's field, she landed
on the beach. Within moments local farmers and fishermen
rushed toward her. Harriet remembered with good humor that
she understood enough French to realize they were
congratulating themselves that the first woman to cross the
Channel in an aeroplane had landed on their beach. Harriet
sat in the sand and dashed off a message that was
telegraphed to Calais announcing her safe landing.
Ironically, Harriet had landed near Hardelot,
approximately thirty miles from Calais. After excitedly
inspecting her plane, the villagers convinced Harriet that
the machine must be moved away from the rising tide. A group
of fishermen pushed the plane first to high ground, then two
miles over the beach to the Bleriot hangar. Among the
crowd of strangers congratulating Harriet was Miss Whiteley,
a luncheon companion from her previous visit to Hardelot,
and her American friend Miss Drake. Hoisting Harriet on
their shoulders, the two women carried her down the beach to
the town.
The triumphant aviatrix spent the day in Hardelot,
breakfasting at the shore on hot tea, bread and cheese. Her
hostess served the tea in an enormous cup. Harriet so
admired the teacup that the fisherwoman gave it to her. She
viewed the cup as her greatest trophy.
Harriet left Hardelot later that day with her teacup, a
gift of a plot of ground and a promise from the locals that
they would build a bungalow for her. The heroine-"a very
tired but very happy woman"-was driven to Calais where she
caught a train to Paris.
Harriet was probably unprepared for the startling lack
of attention she received for flying across the Channel. At
12:27 A.M. on Monday, April 15, the "unsinkable" White Star
liner Titanic hit an iceberg in the North Atlantic; stories
of the tragedy filled newspapers for over a week. If she had
flown on Sunday, she might have shared headlines with the
ill-fated liner when the extent of the disaster was not yet
known. The New York Times had covered Harriet's flying
career for a year, allotting space for her exploits on the
front page on several occasions. Instead, her greatest
triumph was relegated to page fifteen, dwarfed by
advertisements for voyages and luxury liners. Even the
London Daily Mirror buried the story in its inside pages.
When she did receive recognition, it was disappointing.
On 18 April 1912 The New York Times ran an insulting
editorial entitled, "Exultation is Not in Order," which read
like an excuse for the paper not having given the heroine
the attention she deserved. Admitting that public attention
had been focused on the Titanic, it assured readers that
Harriet Quimby's achievement did not pass unnoticed.
However, the editorial warned that feminists should refrain
from celebrating since many men had crossed the Channel and
women would not want to "invite the dreadfully humiliating
qualification 'great for a woman."' The editorial concluded,
"A thing done first is one thing; done for the seventh or
eighth time is quite different. Of course it still proves
ability and capacity, but it doesn't prove equality."
Although Harriet was neglected by the press at large,
Leslie's proudly ran a firsthand account of her adventure.
She became the darling of the aviation world and an
authority on the subject. The combination of performing at
air meets across the country and writing about these
experiences for Leslie's brought Harriet to the Harvard
Aviation Meet at
Squantum, Massachusetts, in the summer of 1912.
On July 1, at the close of the meet's third day,
Harriet was scheduled to fly the Bleriot monoplane she had
purchased in France. In an earlier flight she had used
sandbags in the plane's passenger compartment for ballast.
But the shifting sand left the craft unstable. During a
half-dozen subsequent flights, she had carried a passenger.
Meet manager William A. P. Willard-the father of aviator
Charles Willard and his son Harry tossed a coin to determine
who would accompany Harriet on the twenty-mile round-trip
over Dorchester Bay to Boston Light. The elder Willard won
the toss. When asked by her friends about the odds of a
water landing if the engine failed over the harbor, Harriet
replied confidently, "A water landing is all right in a
Bleriot unless you come down head first.... But if we come
down 'pancake' the broad wings would float us for two hours
or more. But I am a cat," she joked, "and I don't like cold
water."
In the early evening Harriet and Willard took off,
ascended to three thousand feet, flew to the Boston Light
and returned. Just short of completing the trip, the plane
pitched left suddenly and Willard was catapulted from his
seat. The plane momentarily righted itself but, lacking ballast, instantly plunged into a perpendicular dive. Harriet
was thrown from the plane, plummeting one thousand feet into
Dorchester Bay. The five thousand spectators saw both bodies
failing. Women fainted and "men turned sick at heart."
Harriet and Willard landed near each other in four feet
of water. Harry Willard rushed into the bay toward his
father but was restrained by onlookers. Several men jumped
from their boats to find the victims. The Boston Daily Globe
noted the bodies surfaced instantly, while The New York
Times stated they were buried in the mud. Given the force
with which they would have been driven into the water, the
latter report seems most likely. According to the Globe, "it
was thought there were some signs of life in the body of the
woman and a doctor and several men worked over her for five
or 10 minutes, but without avail." The Massachusetts State
Cavalry kept the crowd back as the bodies were brought
ashore. They were taken to the Quincy hospital. Harriet's
chest was crushed and varying accounts reported both arms
broken, a broken leg, a broken back, a fractured skull and
large bruises.
The aviation world and the general public mourned
Harriet Quimby. Reporters speculated about the new good-luck
charm she wore at the time of her death; other flyers
claimed they had an "ominous" feeling before the flight.
Many stories suggested that Harriet suffered from momentary
vertigo or that a gyroscopic force caused the plane to arc
to the left. Eyewitnesses reported that Harriet fastened a
restraint that should have held her in. Others saw Willard
lean sharply forward before he was catapulted from the
plane. There was speculation that he had leaned forward to
speak to Harriet, and that she had removed her restraint in
order to turn and push him back in his seat.
Aviator Earle Ovington, who witnessed the crash,
reported that the plane was stable and straight and that
Harriet had not shown any signs of difficulty in controlling
the machine. He remarked on the grace with which the plane
landed in the bay before "turning turtle" after ridding
itself of its passengers. While inspecting the barely
damaged machine, Ovington noticed that the left rudder wire
controlling the steering was caught on the end of the
vertical warping lever that operated the wings. He believed
the caught wire had caused the plane to veer left and pitch
Willard from his seat.
Harriet's mechanic disagreed with Ovington, insisting
that the wires
could have caught on the way down or upon impact. He might
have feared that he would be blamed for the tragedy. But
Ovington firmly declared that it was a Bleriot design flaw,
not the fault of the mechanic. In a letter to the editor of
Scientific American, Ovington noted that the warping lever
in Harriet's plane was different from all other Bleriot
monoplanes he was familiar with, including his own.
Harriet Quimby's last article was written for Good
Housekeeping magazine and appeared posthumously. In
"Aviation as a Feminine Sport" she touted the joys of
aviation and the ease of flying an aeroplane. Declaring that
"any woman with self confidence and a cool head could fly
across the English Channel," Harriet contended that flying
was easier than walking, driving, tennis or golf. She was
not a daredevil, stressing that caution was essential in
flying. "I never mount my machine until every wire and screw
has been tested," she wrote. "I have never had an accident
in the air. It may be luck, but I attribute it to the care
of a good mechanic."
According to her wishes, Harriet was buried in a
copperlined vault in New York City's Woodlawn Cemetery. In
1913 her father reinterred her remains at Kenisco Cemetery
in Valhalla, New York; her mother is buried beside her.
Like the aviators who continued in the Boston meet
after the terrible tragedy, Harriet believed in the future
of aviation. She envisioned a time when aeroplanes would be
used to deliver mail, carry passengers and fight wars. She
was a true pioneer and an anachronism. She was gentle yet
determined and ambitious; modest but not above a little
subterfuge when it suited her. Although her life was brief,
she accomplished much on behalf of female journalists and
future aviators of both genders. California may claim
Harriet as its daughter but Michigan knows the truth of her
origins. In August 1993 America's first licensed aviatrix
will be inducted into the Michigan Aviation Hall of Fame.
Harriet Quimby's zest and heroic spirit were captured
in the many photographs that exist of her, and in the words
of a eulogy that appeared in Leslie's on 18 July 1912.
Describing her as independent, fair, helpful and faithful,
as well as an author whose writings were "marvels of style
and expression," the memorial affirmed Harriet's devotion to
the development of aviation, which she "firmly believed
meant much for the progress of the century." Referring to
her colleagues, Leslie's consoled, "They have the comfort
of many assurances from her own lips that in her innermost
heart, she felt no fear of death because she remained
serene in the faith that it would open the door to a
fadeless immortality."
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